DIRECTOR

Scott’s recent stage productions include his original adaptation of Anton Chekhov’s, Three Sisters (Mostar Youth Theatre, Bosnia and Herzegovina) and Koltès’, Night at the Edge of the Forest (KUD France Preseren, Ljubljana).

Also in Southeastern Europe, he directed Irene Fornes’, Mud (Zagreb Theatre for Youth, Croatia), St. Vincent Millay’s, Aria Da Capo (Ormoz Festival, Slovenia), and Sara Kane’s, 4.48 Psychosis (Academy of Dramatic Art, Zagreb). For Belgrade’s Atelier 212, Scott collaborated with Slovenian director Tomi Janežić on King Lear, and also Maeterlinck’s, The Blind, for the Macedonian National Theatre in Skopje.

Other productions include works by Gertrude Stein, Slawomir Mrozek, Tankred Dorst, Robert Frost, Günter Grass, Henrik Ibsen, and Rainer Maria Rilke. For New York’s The Actors’ Ensemble, Scott directed plays by Tina Howe, Ray Bradbury, Thich Nhat Hahn, Henry Miller, and W.B. Yeats.

Current and future projects include:

  • Koltès’, In the Solitude of Cotton Fields (Belgrade, production pending);
  • Hamlet,* (Sarajevo, 2010/11)
  • An Idea for a Short Story,* based on Chekhov’s, The Seagull
  • No Exit,* by Jean Paul Sartre
  • Life of Man, by Leonid Andreyev
  • Man and the Masses, by Ernst Toller
  • Prometheus Bound, by Aeschylus

 

PRODUCTIONS

  • Night Just Before the Forests, by Bernard-Marie Koltès, KUD, Ljubljana
  • (His) 3 Sisters,* by Anton Chekhov, Mostar Youth Theatre, Bosnia and Herzegovia
  • The Police, by Slawomir Mrozek, California State University Long Beach
  • Aria Da Capo, by Edna St. Vincent Millay, Festival of Independence, Ormoz,Slovenia
  • 4.48 Psychosis, by Sarah Kane, Academy of Dramatic Arts, Zagreb, Croatia
  • Mud, by Maria Irene Fornes, Zagreb Theatre for Youth/ZKM, Zagreb
  • The Blind, by Maurice Maeterlinck, (In collaboration with Tomi Janezic, Director) Macedonian National Theatre, Ohrid Summer Festival
  • King Lear, by William Shakespeare, (In collaboration with Tomi Janezic, Director) Atelier 212, Belgrade, Serbia
  • The Shoemaker’s Remarkable Wife* by Federico Garcia Lorca, Stanislavsky Theatre Studio, Washington DC
  • GERTRUDE STEIN:  If You Had Three Husbands*, A solo performance piece based on a text by Gertrude Stein, co-developed with Threshold Theatre, UK, co-produced by Stanislavsky Theatre Studio, Washington DC
  • Painting Churches by Tina Howe, Alchymia Theatre/The Actors’ Ensemble, The International Michael Chekhov Conference, CT, and Spencertown Academy, NY
  • A Masque Of Reason by Robert Frost, Alchymia Theatre, Chicago
  • Flood* by Günter Grass, Alchymia Theatre, Chicago
  • Rosmersholm*by Henrik Ibsen, Alchymia Theatre, Chicago
  • The Curve by Tankred Dorst, The Michael Chekhov Centre, London, England
  • The White Princess by Rainer Maria Rilke, Alchymia Theatre, Chicago
  • The Souls’ Awakening by Rudolf Steiner, Spring Valley, NY, and Dornach, Switzerland
  • The Smile At The Foot Of The Ladder*  by Henry Miller, The Actors’ Ensemble, NY
  • The Path Of Return Continues The Journey*  by Thich Nhat Hahn, The Actors’ Ensemble, NY
  • Lazarus* by André Obey, New York City
  • Who Am I This Time? by Kurt Vonnegut, New Directions Theatre Group, NYC
  • The Trojan Women by Euripides, The Actors’ Ensemble, NY
  • The Hour Glass by W.B. Yeats, The Actors’ Ensemble, NY
  • Dandelion Wine* by Ray Bradbury, The Actors’ Ensemble, NY
  • Dance With Me by Mark Krasnoff and Scott Fielding, American Theatre for Actors, NYC

 

  *also adapted